Different Saree Draping Styles
Fashion trends in Sri Lanka vary from time to time, but one thing stays constant: the classic Indian Handloom sarees in Sri Lanka. The saree has always been India’s own garment, reflecting a woman’s beauty and grace since time immemorial. India is home to a plethora of saree designs and variations that have influenced international fashion. However sarees online in Sri Lanka are in store as well. In different areas of India, a saree may be draped in a variety of ways; here are our top selections for the most traditional forms. The Bengali atpoure shari is one of the most recognizable saree-draping designs. This classic Bengali saree has a crimson border and is white in color. The front is draped with box pleats, and the pallu (veil) is worn on both shoulders. The veil emerges first from the back of the left shoulder, then from the back of the right shoulder. Bengali ladies used to attach a bundle of keys to the veil end that goes over the right shoulder – this was seen as a statement that she was a powerful lady who demanded respect and dignity. Nauvari is a completely unique way of draping a saree that originated in Maharashtra (nine-yard saree). It’s worn like a dhoti (loincloth), with one end running front to back between the legs and tucked around the waist, and the other end, or upper section, draped like a saree. Maharashtra’s folk dance, lavani, finest exemplifies the nauvari saree-draping technique. This design not only makes ladies seem attractive, but it also allows for simple leg movement. Seedha pallu sarees, a draping style popular in the states of Uttar Pradesh, Gujarat, and Odisha, are worn by local women on a daily basis. The veil replaces the dupatta in this design, which is comparable to a lehenga choli. This technique allows for unrestricted hand motions and is ideal for heavy-work sarees since the shoulders are not burdened by the weight of the veil’s elaborately wrought embellishments. It’s also the greatest method to show off the saree’s exquisite patterns on the veil and border. Mekhela chadar refers to Assamese handloom sarees, and this particular style consists only of draping these sarees, hence the name. Mekhela chadar is a two-piece outfit worn by young Assamese females. The bottom half of one piece is worn as a sarong with crisscross pleats in front, while the other half is tucked around the waist on the left side and draped over the shoulder like a shawl. Pinkosu is a saree-draping technique popular among Tamil Nadu ladies that is ideally suited to hot weather. Because the name ‘pinkosu’ literally means ‘pleats at the rear,’ the saree is wrapped around the waist one and a half times in this design, offering greater covering, and the pleats fall towards the outside of the wrap from the inside, unlike a regular saree. Because the underside of the saree is visible, ladies must select a saree properly. Handloom cotton sarees, which are reversible and may be worn on both sides, are consequently chosen for this design. Madisaru is a saree-draping technique that was historically worn by women after their marriage and plays a vital part in the Iyengar and Iyer cultures of Tamil Nadu. It is usually worn on festive or special events nowadays. This design does not necessitate the use of a blouse or petticoat. It’s one of the most difficult saree-draping designs, with the lower half worn like a loincloth and the upper half folded like a regular saree. Kappulu is an exquisite drape that is now exclusively worn by senior women of the kappulu class in Andhra Pradesh. Unlike traditional saree wrapping, which is done from right to left, this technique requires ladies to drape their sarees from left to right. The Kappulu design includes two primary features: a small and narrow pleat at the back that highlights a woman’s contours, and falls of material formed by wrapping the end around the body twice. The veil is removed from the front and slung over the right shoulder, either loosely or tightly around the neck.